Friday, May 22, 2020
The, The Bark, And Birds Hell - 1445 Words
Upon entering The Met museum, I was overwhelmed by the enormous sculptures and detailed paintings that filled each gallery. Though there were many galleries, the one that captured my attention and led to be the focus of my paper is the Max Beckmann gallery. Max Beckmann in New York sheds light on his connection with New York City. The art gallery displayed fourteen works in which Beckmann created during his time living in New York. The gallery included many different forms of art works such as, self-portraits, mythical, expressionist interiors, robust, colorful portraits, portraits of women, performers, and landscapes. Of the fourteen works, the three that I will focus on in this paper is the Self Portrait in Tuxedo, The Bark, and Birds Hell. Max Beckman was a German painter, printmaker, craftsman, and sculptor. Beckmann enjoyed great success, receiving official honors and awards. His success suddenly reached a turning point when Adolf Hitler came into power. Hitler resented Modern Art, and led in the abolishment of Modern Art in Germany. Shortly after, Beckmann was disliked by the Nazi Government and was often referred to as a ââ¬Å"Cultural Bolshevikâ⬠. Cultural Bolshevism was a term used by Nazi Germany to attack Modernist Movements in the arts. After enduring such rejection, Mac Beckmann focused his experience of Modern life into Expressive images with an intensity of emotion and symbolism. During the 1920s, Beckmann became one of the main artists associated with NeueShow MoreRelatedSlaughterhouse Five, By Kurt Vonnegut941 Words à |à 4 Pages ââ¬Å"War is hellâ⬠goes the commonly used phrase. While conducted with a purpose in mind, many believe war to bring nothing but violence and death. In the history of mankind and combat, men have committed many abominable acts against one another as a means to an end. 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